The Berg Schoenberg Correspondence

The Berg Schoenberg Correspondence PDF
Author: Arnold Schoenberg
Publisher: W. W. Norton
ISBN: 9780393336399
Size: 43.43 MB
Format: PDF, Mobi
Category : Literary Collections
Languages : en
Pages : 526
View: 188

Get Book



Book Description: Few figures have influenced 20th-century music as much as Arnold Schoenberg and Alban Berg. Their letters, one of the most important sources of information about the background to their music, are here published for the first time. The editors have transcribed, translated and annotated more than 800 letters and from this vast body of material have selected 370 that reflect the lives and times of these two great composers. The letters reveal much about the relationship between Berg and Schoenberg: first as pupil and teacher, then as friends and finally, after the premier of Wozzeck, as colleagues and peers. They also shed light on the reasons for Schoenberg's move to Berlin in 1911, the intrigue behind the early demise of the Society for Private Musical Performance, and Schoenberg's feigned indifference to the success of Wozzeck. Schoenberg describes his first years in America and the correspondence ends with Berg's death in 1935. The letters are fully annotated and supplemented with appendices, facsimiles and many photographs.

Schoenberg S Correspondence With American Composers

Schoenberg s Correspondence with American Composers PDF
Author: Sabine Feisst
Publisher: Schoenberg in Words
ISBN: 0195383575
Size: 62.82 MB
Format: PDF, Kindle
Category : Music
Languages : en
Pages : 976
View: 5890

Get Book



Book Description: Schoenberg's Correspondence with American Composers is the first edition of all known and available letters between Arnold Schoenberg and over seventy American composers written between 1915 and 1951, in English and English translation and with commentary. In six chronologically organized chapters, the correspondence first casts new light on Schoenberg's contacts with American composers before 1933, including correspondence with students and champions of his music (Israel Amter, James Francis Cooke, Henry Cowell, Edgar Varèse, and Adolph Weiss among others). The letters after 1933 show how Schoenberg gradually built a network of composer colleagues and friends, among them Mark Brunswick, Oscar Levant, Roger Sessions, Nicolas Slonimsky, Gerald Strang, with whom he discussed compositional ideas, specific musical works and writings, performances and the publication of his compositions. These letters also provide insight into his ideas about teaching in private settings, at the Malkin Conservatory and the University of California. The correspondence of his last years illuminates how the reception of Schoenberg's music in the United States was flourishing and how he attracted a growing number of disciples exploring twelve-tone composition. The book also qualifies the concept of and Schoenberg's association with the Second Viennese School. Schoenberg's Correspondence with American Composers not only illuminates a varied and vivid epistolary style, but clearly demonstrates Schoenberg's far-reaching connections in the American music world.

Berg Violin Concerto

Berg  Violin Concerto PDF
Author: Anthony Pople
Publisher: Cambridge University Press
ISBN: 9780521399760
Size: 15.80 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 121
View: 7586

Get Book



Book Description: Berg's Violin Concerto has become a twentieth-century classic. The reader is introduced not only to the concerto itself but to all the factors that influenced its composition in this authoritative and highly readable guide.

Alban Berg And His World

Alban Berg and His World PDF
Author: Christopher Hailey
Publisher: Princeton University Press
ISBN: 1400836476
Size: 69.37 MB
Format: PDF
Category : Music
Languages : en
Pages : 392
View: 6753

Get Book



Book Description: Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley. Bard Music Festival: ? Berg and His World Bard College Annandale-on-Hudson, New York August 13-15, 2010 and August 20-22, 2010

Arnold Sch Nberg Und Richard Wagner Schriften

Arnold Sch  nberg und Richard Wagner  Schriften PDF
Author: Constantin Grun
Publisher: V&R Unipress
ISBN:
Size: 37.22 MB
Format: PDF, Kindle
Category : History
Languages : de
Pages : 1404
View: 4869

Get Book



Book Description: Die entscheidende Bedeutung Richard Wagners für das Komponieren und die Weltanschauung Arnold Schönbergs ist zwar oft behauptet, jedoch nie wissenschaftlich begründet worden. Grun verfolgt in der vorliegenden Arbeit die Spuren des Wagner'schen Einflusses in Schönbergs Werken und Schriften und lenkt das Augenmerk dabei auch auf die Veränderungen der Beziehung vor dem sich wandelnden zeitgeschichtlichen Hintergrund. Er arbeitet neue Erkenntnisse sowohl zur frühesten Wagner-Rezeption Schönbergs als auch zu seinem Verhalten in der Zeit des (Prä-)Faschismus heraus und zeigt den Konflikt, in den Schönberg als bekennender Wagner-Anhänger jüdischer Herkunft durch die antisemitischen Hinterlassenschaften Wagners geriet. Neben den etablierten Werken finden auch das Frühwerk (vor op.1), das Lied der Walküre sowie zahlreiche noch unveröffentlichte Quellen Berücksichtigung.

Humanities

Humanities PDF
Author:
Publisher:
ISBN:
Size: 66.72 MB
Format: PDF, Mobi
Category : Humanities
Languages : en
Pages :
View: 6549

Get Book



Book Description:

Schoenberg Berg And Webern

Schoenberg  Berg  and Webern PDF
Author: Bryan R. Simms
Publisher: Greenwood
ISBN:
Size: 47.62 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 410
View: 7774

Get Book



Book Description: A thorough information source on the lives and works of the three composers comprising the Second Viennese School, Schoenberg, Berg, and Webern.

Schoenberg S Correspondence With Alma Mahler

Schoenberg s Correspondence with Alma Mahler PDF
Author: Marilyn McCoy
Publisher: Schoenberg in Words
ISBN: 0195381963
Size: 53.68 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 448
View: 7260

Get Book



Book Description: A fresh perspective on two well-known personalities, Schoenberg's Correspondence with Alma Mahler documents a modern music friendship beginning in fin-de-siécle Vienna and ending in 1950s Los Angeles. This volume is the first English-language edition of the complete extant correspondence in new English translations from the original German, many from new transcriptions of handwritten originals, and it is the first English-language book of Schoenberg's correspondence with a female associate. These often quite candid letters afford readers a fascinating glimpse into the personalities, ideologies, institutions, protocols, and aesthetics of early twentieth-century European music culture. Critics, conductors, composers, and visual artists are appraised, kindly or venomously; visual artists and writers also appear. Above all, Alma Mahler (1879-1964) and Arnold Schoenberg (1874-1951) emerge as intriguing, complex individuals who transcend their conventional representations as, respectively, a femme fatale and a musical radical. For Schoenberg, Alma was a sympathetic confidante, a comrade in their shared battle against musical conservatism, yet also a canny negotiator of Vienna's social circles, a skill that brought Schoenberg into contact with important patrons. Not only did he invite Alma to his premieres, lectures, and art exhibitions, but Schoenberg also sent her scores of his music and drafts of his writings. He revealed to her his plans for his innovative new music society, the Society for Private Music Performances, and his development of a new method of composition with twelve tones. The letters remind us of how crucial the social and personal dimensions of music culture were to the early twentieth-century composers and musicians. Gender, ethnicity, and social class conditioned their opportunities in music---and in life---and their shared experience of fleeing fascism to a new country with a different culture and language resonates with our own epoch.