Synesthesia And The Arts

Synesthesia and the Arts PDF
Author: Dani Cavallaro
Publisher: McFarland
ISBN: 0786475633
Size: 70.92 MB
Format: PDF
Category : Art
Languages : en
Pages : 212
View: 754

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Book Description: This study explores the relationship between synesthesia--the experience of a sensation in one perceptual domain triggering a sensation in another perceptual domain--and the arts (including painting, photography, music and literature). Its aim is twofold: to introduce readers as yet unfamiliar with synesthesia to this intriguing phenomenon by focusing on its impact on the creation and reception of art; and to alert readers already conversant with synesthesia in its many manifestations to its potential to encourage fresh ways of approaching art, of understanding the part played by our bodies in its production and receipt and, by extension, of reassessing our position in nature as humans.

Synesthesia

Synesthesia PDF
Author: Greta Berman
Publisher:
ISBN: 9780978358587
Size: 36.97 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 62
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Book Description: Four essayists explore the impact of synesthesia, or the involuntary joining of the senses, on the work of artists who are or who are suspected to have been synesthestic. They include David Hockney, Joan Mitchell, Tom Thomson, and Vincent van Gogh.

Synaesthesia

Synaesthesia PDF
Author: Julia Simner
Publisher: Oxford University Press, USA
ISBN: 019874921X
Size: 44.34 MB
Format: PDF, Docs
Category : Medical
Languages : en
Pages : 129
View: 6041

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Book Description: In 1893 a Swiss neuroscientist called Theodore Flournoy conducted an interview with an individual known only as "Madame L", during which Madame L described the personalities of numbers, from 6, an orphaned young man, very well brought up and polite, to 9, the selfish and maniacal husband ofMadame 8, to the extravagant and self-centred 5. For Madame L it was impossible to contemplate the numbers without feeling their attendant personalities. This is one of the first records we have of synaesthesia, often described as a rare neurological condition that gives rise to a type of "mergingof the senses". For those who experience it - synaesthetes - one sense appears to cross with another. Some people experience the sensation of different flavours when they hear certain words, while others see vivid colours on reading words. In the varying forms of synaesthesia letters, numbers,words, sounds, colours, or textures can merge together, resulting in sensations of colourful chords, chicken that feels pointy when eaten, and beef that tastes dark blue.In this Very Short Introduction Julia Simner introduces the many different ways synaesthesia presents itself. Discussing the scientific tests we have developed for distinguishing true synaesthetes (who may not even be aware that their sensations are unusual), Simner considers how we can measure theeffects synaesthesia has on the everyday lives of people living with it. Exploring the fascinating stories of different individuals' experiences of the world through the many forms of synaesthesia, she discusses the increasingly documented links between synaesthesia and artistic creativity andlateral thinking, and also the potential limitations synaesthesia might impose. Delving into the neuroscience behind synaesthesia, Simner also relates contemporary attempts at understanding both the genetic causes of synaesthesia, and how synesthetic sensations occur in the brain.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, andenthusiasm to make interesting and challenging topics highly readable.

Leonardo Journal Of International Society For The Arts Sciences And Technology

Leonardo   Journal of International Society for the Arts  Sciences and Technology PDF
Author:
Publisher:
ISBN:
Size: 35.29 MB
Format: PDF, Mobi
Category : Art, Modern
Languages : en
Pages :
View: 7001

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Book Description: International journal of contemporary visual artists.

Annual Meeting Of The North American Fuzzy Information Processing Society Nafips

Annual Meeting of the North American Fuzzy Information Processing Society  NAFIPS  PDF
Author: North American Fuzzy Information Processing Society. Annual Meeting
Publisher:
ISBN:
Size: 23.55 MB
Format: PDF, Docs
Category : Fuzzy systems
Languages : en
Pages :
View: 4426

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Book Description:

The Divine Voice

The Divine Voice PDF
Author: Stephen H. Webb
Publisher:
ISBN:
Size: 56.95 MB
Format: PDF, ePub, Mobi
Category : Religion
Languages : en
Pages : 244
View: 2470

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Book Description: "Freedom begins in the ear before it reaches the mouth." Every once in a while a book comes along that profoundly makes the most original thoughts immediately familiar. The Divine Voice is such a book.Stephen Webb challenges readers to take sound seriously. Not only did God's first "sounds" speak the world into being, but sound and voice have also played an undeniably central role in biblical revelation, prophetic proclamation, and the New Testament call to verbal witness. Webb goes on to make the surprising claim that the obligation of all Christians to witness to their faith is "inseparable from the need to acquire and practice the rhetorical skills of public speaking."While the very words "public speaking" might strike terror in many readers' hearts, Webb confronts the issues of stage fright and speaking disabilities head-on, pointing his readers to the biblical narratives concerning difficult speaking.The Divine Voice performs its own significant insight: the life of the pilgrim is not just a spatial journey, but is an audition of sorts, in which we take the Bible's words as our own. As Webb points out, the good news is that we've already been cast in the play. Now, we can embrace a life of witness by rehearsing and "inhabiting the sounds of faith." An indispensable book for preachers, students of homiletics, and all concerned to see (and hear) sound in new ways.

Wahrnehmen Lernen Verstehen

Wahrnehmen  lernen  verstehen PDF
Author: Wilfried Gruhn
Publisher:
ISBN:
Size: 24.12 MB
Format: PDF, Docs
Category : Music
Languages : de
Pages : 173
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Book Description:

Synaesthesia Theoretical Artistic And Scientific Foundations

Synaesthesia  Theoretical  artistic and scientific foundations PDF
Author: María José de Córdoba
Publisher: Fundación Internacional artecittà
ISBN: 8493905496
Size: 33.16 MB
Format: PDF, Docs
Category :
Languages : en
Pages : 372
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Book Description: Synaesthesia: Theoretical, artistic and scientific foundations Editorial Board Sean A. Day (Trident Technical College, USA. President of the American Synesthesia Association) Maria José De Córdoba (Granada University, Department of Drawing) Emilio G. Milán (Granada University, Department of Experimental Psychology) Ed Hubbard (Vanderbilt University, Department of Psychology and Human Development) Dina Riccò (Politecnico di Milano University, Department of Design) Editorial Staff Edited by: Maria Josè De Cordoba, Dina Riccò, Sean Day The three editors have worked in collaboration on the entire book. In particular: M.J. De Cordoba has edited chapters I.2, I.4, I.5., II.2, II.6, II.7, II.8; D. Riccò chapters I.1, I.3, II.1, II.3, II.4, II.5; and Sean Day has edited the English revision of the whole book. Chapters written in native English by the respective authors: I.1, I.2, I.5, II.1. English translation from Spanish: Julia López de la Torre Lucha (Foreword, Preface, chapters I.4, II.2, II.7, II.8); Donald Hubert Duffy III (chapter II.5). English Translation from Italian: Margaret Wood / Intras Congressi Bologna (chapters I.6, II.4), Peter Deville (chapter I.3), John Lander, Annarita Guidi and Maria Catricalà (chapter II.3). English Translation from Russian: Anton V. Sidoroff-Dorso (Chapter II.6). Special thanks to Timothy B. Layden. Graphic coordination: Dina Riccò Graphic design: Giulia Martimucci Visual: Alessandro Zamperini © 2014 Ediciones Fundación Internacional ArteCittà, Granada (Spain) Original Title: Sinestesia. Los fundamentos teóricos, artísticos y científicos, by Maria José De Cordoba, Dina Riccò et al. First Spanish Edition published in 2012 by Ediciones Fundación Internacional Artecittà (Granada, Spain) eBook Edition ISBN: 978-84-939054-9-1 D.L.: GR 1383-2014 (14.07.2014) Produced by Fundación Internacional Artecittà, Granada, Spain Printed Edition ISBN: 978-84-939054-6-0 D.L.: GR 1382-2014 (14.07.2014) Printing: Imprenta Del Carmen, Granada, Spain First English Edition: July 2014

Synaesthesia Theoretical Artistic And Scientific Foundations

SYNAESTHESIA  THEORETICAL  ARTISTIC AND SCIENTIFIC FOUNDATIONS PDF
Author: María José de Córdoba Serrano
Publisher: Fundación Internacional artecittà
ISBN:
Size: 50.47 MB
Format: PDF, ePub, Mobi
Category :
Languages : en
Pages :
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Book Description: SYNAESTHESIA: THEORETICAL, ARTISTIC AND SCIENTIFIC FOUNDATIONS FOREWORD TO THE ENGLISH EDITION This edition in English language appears two years after the first edition of Sinestesia. Los fundamentos teóricos, artísticos y científicos (2012) that was in Spanish. This volume compiles contributions regarding the study of synaesthesia in a wide and multidisciplinary sense, from science to arts, its target audience being synaesthesia researchers, university students and PhD students. We already intended, with the release of the first edition, to provide a partially bilingual Spanish/English edition, since around half of the contributions were originally written in English, so that it could embrace all the contributions in the original language of the authors. Due to the high number of pages the volume finally would have had, the idea of a double edition appeared. Compared with the first edition in Spanish, a chapter about the relationship between music and synaesthesia (López-Montes) has been integrated. This absence was already mentioned in our first preface. During the time between the two editions, a great volume about synaesthesias has been published, The Oxford Handbook of Synesthesia, edited by Ed Hubbard and Julia Simner. Indeed, both volumes have something in common; for example, the interdisciplinary approach, and some of the authors (Brang, Day, Hubbard, Jewansky, Marks, Ramachandran, Ward). Nevertheless, both volumes have a different purpose. Our precise intention is to provide documentations about the beginning and spreading of the contemporary debate on the subject of synaesthesia and its position between the two edges: science and art, which, from our perspective, was due to the clever intuition discerned in the opening of the I international and multidisciplinary conference on Synaesthesia: Science and Arts, held in Cuevas de Almanzora, in Spain, in 2005. We firmly believed the first international experience certainly contributed to the dissemination and enrichment of the discussion, publications and interest that currently exists about synaesthesia. The purpose of this volume is to demonstrate this development with the actors that participated in this process. We have pleasure in presenting this new edition also because next year, during the V Conference of Synaesthesia: Science and Art – organized by ArtecittàFoundation with the collaboration of Politecnico di Milano, the University of Jaén, the Cultural Department of Alcalá La Real Council and the American Synesthesia Association (ASA) – that will be held in Alcalá La Real (Jaén, Spain, 16 – 19 May 2015), we will celebrate our tenth anniversary, a very special occasion for us: that is why we would like to offer to all attendees a memento of our work. Among the different chapters we have combined the usage of the term synaesthesia (“European English”) and synesthesia (American English) – always respecting the terms used by the authors. Since the edition is published in Europe, the “European” English spelling has been prioritised in the title and in the text in general. To conclude, we would like to show our especial gratitude to all of the authors who have enthusiastically collaborated on the Project of this new edition, to our translators – especially to Julia, our “official” translator – and to Artecittà Foundation that have made possible this new edition. Maria José De Cordoba University of Granada Dina Riccò Politecnico di Milano Sean A. Day Trident Technical College